Finding space to grow vegetables, flowers and medicine on the lawn would have been impossible if I would have approached the landlord through criticism of the lawn, saying that the whole patch should be garden.
I would have ignored the desire of the kids who live here to play, sit and throw frisbees.
Instead I took posts from black locust thrown from an ice storm last year and marked out a garden that fits with the current design and occupies a boundary between the lawn and the four lane road.
The garden was then woven, with the landlords, using leftover willow from making baskets and fences, seed collected in my wanders, and compost from the back yard.
This small space is now yeiding scarlet runner beans, calendula, red clover, winter squash, self seeded tomatoes and borage from last year, Swiss chard and arugula.
The garden around the Siberian crabapple planted in every lawn when these houses were built over 50 years ago has sage, Wild Ginger, oregano and native woodland strawberry.
Maybe in the fall I will place another woven bed taking up another patch of the lawn, foot by foot, until it is all garden.
it is a bit odd to compress the four films into one frame, when originally they were mounted separately 1 1/2′ apart. some of the audio which served to fill the space and compliment the busy flow through of traffic in the ground floor hallway of the center for green cities, now are competing in this 9 minute film. the footage includes years of environmental documentary footage, with compelling statements by key green leaders in toronto (the founders of auto-share and bullfrog power….) as well as architects and designers involved in the evergreen brickworks project.
Grown on the site of Evergreen Brickworks since its opening in 2010 from plants which regenerate annually and are cut late in the spring. the red osier dogwood is an important food source for birds and the black willow can grow up to 12′ a year. Both are native species are planted to begin natural restoration of the the five acre redeveloped industrial pad.
Often these plantings are originally grown in nurseries who focus on maximum yield since plant growth is tied to profit, and so they are flooded with fertilizers. These are then planted out, and the odd original shape obtained by the greenhouse growth of the plant stays with it as it matures, and therefore the shape of this plant as we now recognize it is misleading. dogwoods and willows have evolved to be stimulated by cutting/burning especially when the leaves have fallen and the energy of the plant is stored under the snow, in its roots. the form of a coppice stump, as it grows straight long shoots, is a beautiful thing to behold. often trimmed by beaver and muskrat, these long shoots are ideal material for basketry, and so are a living free renewable resource, who’s value can be added to immensely when planted close to an environmental center like the Evergreen Brick Works has become.
see the video of youth harvesting the black willow:
by planting species which have the highest yield of environmental and economic functions, we can work towards rekindling understanding of the role of ‘coppice’ plants and trees in responsible urban business practices of the future.
through experimentation in the pilot brickworks artist residency program, the dogwood and willow baskets will annually be available for sale in the Evergreen Garden Market for the holiday season, under the name: Winter Solstice Basketry.
silkscreen version used in the field by josh berger in the first green city adventure camp, at evergreen brick works
This ‘Mapping Nature Museum’ is a old schoolhouse slate, sandblasted with a meticulous map of the Don valley brickworks, beside a display table (installed on a heritage metal lathe) of artifacts and specimens found on the Evergreen Brick Works site. Families, school groups, volunteers and others are able to leave clues in chalk for future visitors that will build a beautiful, living map of natural experience. As a formal program, the boxes are opened allowing people to touch the specimens and use leading questions on cards to jump start the inquiry for teachers and visitors. As a story-building and educational tool, this map and display will soon include a treasure box where new samples can be left by the public and then rotated into the museum, reflecting the interests of the current visitors and the seasonal changes in the space.
This project is about discovering the natural community of the Brick Works, orienting participants in public programs to the yields of the naturalized space, and creating a culture of storytelling around it. All of these specimens are artifacts that in the future could become fossils, but they are able to be the inspiration for stories today that are shared and used to facilitate a deeper connection to place. By physically connecting the map space and specimen display, there will be an open invitation to experience nature, history and storytelling from every individual experience (whether or not visitors are directly participating in formal Evergreen programs). The culture of the Brick Works will continue to grow and evolve as these stories, artifacts and places become interwoven in this artistic interactive display.
Installed in with funds from Evergreen’s Interpretive budget in 2011, the interpretive display was crafted by Charles Jevons (Swordcraft.ca) and the slate map sandblasted by Cobalt Fabrications. the Concept of a personal/public nature museum is well articulated in the book: coyote’s guide to connecting with nature. This project is a collaboration with Lee Earl, outdoor educator at Evergreen Brick Works.
after purchasing bulk willow from a supplier in southern Ontario who buys from landowners in Quebec, i collaborated with evergreen learning grounds and andreas merker to deliver a three hour workshop in Cassandra public school in NE Toronto where we built a 15′ living willow tunnel. during the workshop i took half of the twenty associates who consult for school boards (installing natural play spaces across the country), and walked over to a stone theatre with a horseshoe boardwalk above out-of-cycle willow shrubs of multiple varieties. we harvested much of what was in the way of lunchtime monitors being able to see the kids through the brush, a.k.a. to improve sight lines. this brush was full of willow whips of purple and yellow, green and red, each cut multiple times (to improve sight-lines) in the past, and so were rendered useless as living fencing or tunnel material, and indeed for baskets as well. after spinning little circles in some leftover pencil-lead thin stems, i had the idea to sculpt these malformed specimens into little representations of bugs and animals, eventually embarking on monstrous living deer and eagles, etc.
these specimens were stored outside in the cold winter we’re having, and were brought indoors to defrost before being woven into these distinct patterns which emerged (again from being trimmed in a specific way over multiple years). each cut by pruners in years past, trying to see the children through the willow, produced uniform deformities, which evolved through the careful priming and bending with my hands, into about 150 little critters, which can be seen at: http://www.foolishnature.org/homely/environmental/wood/wood.html under the heading: Living Knotworks.
If one takes a dormant willow sculpture, and entices it indoors into a bucket of warm water for two weeks it will produce large catkins and then leaves, and can then be kept indoors over the last few months of winter to learn and observe from as it grows out its knots. I have been potting these works in glass vases, and they are currently for sale @ cafe Belong located at550 bayview- evergreen brickworks in the don valley; Ossington Ideal Coffee-ossington 1blok S of Dundas, W side, and soon also available at Broadview Expresso, broadview 1blok N of Danforth, E side.
Pay them a visit if your in the neighborhood.
a little bug made out of willow lies dormant until the spring when it will sprout and be potted and sold.
This is the prototype which has been forced to grow indoors out-of-season since late November.